Giant Sand

This Friday night we will be going to a musical BBQ of sorts for which we have been asked to choose two songs to listen to along the theme of “Going back to the country”. Now this is a good theme as it is inarguable that a large proportion of the music we listen to has its roots in some kind of americana and one way or other that stems from an understanding or history that comes from country (in the sense of country & western). But why did this happen and where did it start? Well one of the first bands that did it for me was Giant Sand. They started in the early ’80’s and a quick look on iTunes shows I have at least 10 CDs and although I have not counted at least that many records. All the old records have recently been re-released on CD with added bits to celebrate their 25 years with us and to date I have been very good in not hoovering them all up. Over those 25 years they have basically been one man, Howe Gelb, and the various friends and acquaintances he has sat down with to make a record. These have included M Ward, Calexico, Victoria Williams, Neko Case and numerous others.They started off as Giant Sandworm and the earlier records are noisier and more of a racket than the more recent ones. There are some who could listen to them and say that it all sounds the same and to an extent they do but that is part of the point. They are basically Howe’s slightly sad lugubrious voice laid over some guitars and piano. Sometimes it is just a guitar or a piano and other times they are both together with drums or maybe some horns woven in a well. But over a record, a CD and 25 years that voice and the music builds up to a great picture, it is burnt midnight music out of the American south west that bears some listening. I saw them in concert a couple of times in Oxford in the venue down the bottom of the road from East Avenue. Both times they played Mountain of Love. The second time I saw them we drank Guinness and whiskey in the Bullingdon Arms before we went to the gig. We stood at the front of the stage and half way through the evening Howe ushered on stage an old country singer whose name I cannot remember – he was dressed in black with a great silver buckle on his belt and wearing a cowboy hat. We were slightly surprised but he fitted the evening well. They played Mountain of Love as an encore when I shouted it out. It was the only name of one of their songs I could remember and Howe gave me his bottle of Newcastle Brown to finish off. The next day I saw him sat on one of the wooden benches on Magdelen Bridge and to my eternal regret I did not stop to say hello. They have a new CD out now and I have suggested that we should be listening to a song from it on Friday.

Before then I am going to find me a recipe for some appropriate food and buy a few bottles of Mexican beer.

Lobster fishing in Dunmannus Bay

On Saturday Ward’s were selling lobsters. They come in from Cornwall and are cooked before being put on display the colors bright red against the white ice and grey fish. I compare notes with Nigel over their cost. In Ahakista we buy them from Tommy Arundel on the pier. He is out in the bay in his boat Freedom most days of the week hauling in the pots, pulling out the lobsters and crabs, re-baiting and then laying the pots down again.

Last summer I spent an afternoon on his boat watching him work. It took 45 minutes from Kitchen Cove to get up past Donneen Pier and the great piece of orange cliff that had fallen into the sea. He has had the boat for 7 years, 4 years in the water. She was some twenty years old before be bought her in Scotland and she was taken down to West Cork. She spent a year on railway sleepers by the Pier whilst he repainted her blue, rebuilt the cabin and fitted a new engine.

As we headed up the bay we left behind a churn of white water and we were followed by two great black backed gulls who hung in the wind some twenty yards or so back from the stern. Porpoises had been following them the previous week. In Kitchen Cove the boat felt outsized within the circle of water we normally pottered around in a dingy or a canoe. But once out in the bay she was dwarfed by the enormity of the water and the scenery that rose up on either side. I could still feel her power – we were running alongside Kilcrohane after a five minutes, a trip that would normally take us half an hour in our boat Montbretia. Joe, Tommy’s mate fell asleep in the corner of the cabin. Tommy laid out the pliers for nicking the tails of the female lobsters before they are put back and another small sheet of cut metal to measure the length to make sure they were not too small.

Eventually the boat slows down, Joe wakes up and he and Tommy put on their thick yellow waterproofs. Joe takes up a boat hook as Tommy manoeuvres the boat alongside a buoy just off the the cliffs. Joe heaves the buoy into the boat with the boat hook and the thick wet line is then run through the wheel of a winch that sits behind the cabin. The line is looped around the metal drum, and with a twist of the black lever it starts to haul in the blue line out of the water and it falls in a untidy pile on the deck. It was not so long ago that they did this by hand. The pots are heavy and cumbersome even to carry on the Pier and it must have been hard and difficult work pulling at the cold wet line and the dead weight of the pots in the water. 



The first few pots are nothing but by catch, sea urchins, which are thrown back into the sea and star fish which are dumped in a bucket, they are dirty orange and brown, crawling and suckering at whatever they touch. These are the great enemy of the lobster men – they have rasping teeth which chew at the pots and eventually break them. Crabs can be kept if of sufficient size and are heavy enough but spider crabs are put back as at the moment there is no market for them.

Some of the pots are filled with three or four black dog fish, wrapped around themselves their sandpaper skin would tear at the flesh if they caught you. The big ones are almost 4 feet long with great angry  mouths and tiny rows of teeth, there is something dark and malevolent about them.  Ireland may not have snakes but these grey creatures writhing and turning over the hand as Tommy pulls them out of the pots make a good substitute.

When they arrive the lobsters are surprisingly bright and active as they come out of the sea. In the water they “swim” by clapping their bodies together. Out of the water in the strange air they try to escape with great arches of their back and their claws splayed out snapping at the wind. Tommy and Joe wear thick blue rubber gloves but these would not offer much protection if claw was to clamp its way round one of their fingers. Tommy puts a crab’s claw between a lobsters pincers and they crush it in two. There is a real indignation that they should have been removed so harshly from the safe confines of the sea and rocks where they have no enemy to the boat, all their power gone and useless in Tommy’s fist.

Their colours are particularly vivid, on top not so much blue but a strange off black, mottled and alive in the sudden light and underneath they are pale with a look of burnt skin. They are such primitive creatures and it is hard to shake away the image of them as some kind of giant insect with their rows of small legs scurry against the unyielding surface of the air and the bottom of the boat. To calm them down and stop them from fighting they each have to be covered with a damp cloth. Most of these appear to be old pieces of Tommy’s clothing – torn jeans and jumpers.

There are about 25 pots on each run. As Tommy empties the pot he passes it to Joe who tips out the last the small crabs which are still hanging on. He then stuffs a couple a ripe herring into the netted pocket in the top. Tommy has to stop the winch every so often to mend one of the pots which the crabs have torn trying to get out. He quickly knits them back together with green twine. The pots are then stacked neatly to the rear of the boat. Once they are all in and the last marker buoy with its tangle of rope has been hauled from the surface Tommy turns the boat round and tells Joe where to lay them again dropping them back into the sea as the blue rope that holds them together unfurls. Gobs of seaweed and great fronds of kelp adhere to the pots – they are encrusted and bent out of shape held together with chicken wire and twine from where they have been torn by the sea urchins and star fish.

Once a line of pots is out again Joe takes the wheel to motor to where the next line is waiting to be hauled in.Tommy sits against the cabin of the boat next to the boxes of lobster. He takes them out in turn from under the damp cloth, gently cradling the lobsters between his thighs in their yellow sea trousers a plastic bag of elastic bands at his side. The blue rubber gloves are off and Tommy does this barehanded. One band goes on clamping the first claw shut as the other claw arches back and rubs against his hand but cannot quite turn round to get a purchase.  He never takes his eyes off them and tells me that part of the learning of this as a boy was getting distracted and having lobster grab hold of a finger.

Once the lobsters claws have been banded they calm down and don’t try to fight so hard and they can be laid together at the bottom of one of the fisherman’s tray at the bottom of the boat under another damp cloth.

The crabs seethe in their black tray. As they are thrown in they aggressively bite out at the nearest crab and they then scuttle and kick to get out of the tray. The odd lucky one is able to get out but is normally caught by its back legs and thrown back in. The luckier ones are able to make it to one of the sluice holes and are able to fall back into the sea.

Over the course of almost two hours a total of five lines of pots are pulled out of the sea. Not all of them are relaid and the last couple are stacked in a neat pile at the back of the boat. They have caught about 35 lobster. Some will be going to local restaurants and other will be going on to Spain and France. We had four of them for supper that evening. Not all of the lobsters that come out of the pots are destined for the table. If they are too small or egg bearing females they go back into the sea. Their tails are nicked with a pair of pliers and it is clear that some of them have been caught a few times before.

Throughout the year Tommy is out in Dunmannus Bay six days a week. Over the summer the boat leaves the pier at 7.00 in the morning. He is back for an hour or two over lunch and then out again. During the winter they drag for scallops until March, then it is lobster through the summer and from the last few weeks in August it is prawns from pots that are laid across Kitchen Cove. On the day I went out with him the sea and the weather was fairly benign and dry. We were close to the cliffs and so avoided the full heave of the swell that comes in off the Atlantic in the middle of the bay. We watch him as he goes out when the wind is blowing down off the hills and the rain is thick and heavy filling the air with moisture.

We normally have lobsters from him 2 or 3 times each summer. If we are not in the Cottage to collect them when arrives back at the Pier he will leave them in a bag in front of the kitchen door. He never forgets.

THE ONLY WAY TO COOK LOBSTER
Lobster pots
Lobster pots were made locally, possibly for centuries. The sally rods were drawn home from the marshy districts in which they grew freely. A timber frame with holes was placed on the kitchen floor and, while the twigs were still wet and pliable, they were weaved in a pattern until the “trough-shaped” mould for the lobster pots was completed.
The Story of Kilcrohane
Noel Streatfield describes how to her “unending satisfaction she and Rachel [Leigh-White] together hauled in the biggest lobster ever caught in the local bay”. That local bay must be Kitchen Cove. Few lobsters are caught there now. The episode is described in some detail in The Growing Summer when the lobster is caught at night. Boys fall into the water and spend the night on what I suspect is Owen Island.
Should you come across a lobster and it is alive and kicking and fresh from the sea when you come to cook then do not be misled by the many recipes there are for the cooking of it. There are numerous suggestions for sauces and the like but my belief is that you should keep it simple. So prepare to get your hands dirty.
First of all you will need to get over the fact that you will have to kill the thing. Don’t worry too much about this, as it will die happy knowing the pleasure it will bring to you. To prepare it I would put it at the bottom of the fridge with some seaweed on top of it. This will feel like home and lull it into a false sense of security if not send it to sleep.
Take a large vat of seawater and bring it to the boil. When it is at a rolling boil carefully remove the lobster from the fridge (you don’t want to wake it) and place it gently as possible into the boiling water. It will die straight away and almost immediately will turn the traditional shade of red. Cook it for about 20 minutes; it will need roughly 20 minutes a pound.
Towards the end of cooking time take half a pat of butter and warm it gently in a saucepan together with 3 well crushed cloves of garlic, a good handful of chopped parsley and salt & pepper.

When the lobster is cooked remove it from the water. Place on a large board and find your biggest and sharpest knife. You will need to split the lobster. This means placing the tip of the knife at the back of its head where there is a cross and plunging in. The head should cut in half fairly easily but you may need a sharp pair of scissors for the back part.

Place the split lobster (or lobsters if hopefully you have more than one) on a large plate and pour over the melted butter.
Eat with lashings of the most expensive white wine you have drunk out of tumblers.

Silver dourade and alphonso mangoes

A trip down to Ward’s on Saturday morning to see what looks good. There are three bright silver dourade in the corner of the ice counter tucked below the monkfish. There are three of us eating and they look about right for one each. I know that we have tomatoes and lemons at home so all I need to pick up from the grocers is a bag of Cyprus potatoes. However I can’t help myself and buy another box of honey mangoes from Pakistan. They are only available for a few months over the summer and the boxes are stacked up on the counter of both The International Store and the grocers. I have started to collect the tops of the boxes, piling them up against one of the walls in the basement brightly coloured, they will look good for a party. There are four or five mangoes in each box, smaller than the hard, unforgiving monsters that fill the supermarket shelves, they are intensely sweet and slightly obscene as they slip around the mouth.

To cook the fish I peel and cut the potatoes into quarter inch slices and par-boiled them for 10 minutes. There was a red pepper in the fruit basket so I put that under the grill until it was blistered and black, put it to one side until it had cooled down and carefully peeled away the skin and scrapped away the seeds, keeping as much of the juices as I could.

To assemble I poured a healthy glug of olive oil into the bottom of a good sized oven tray and mixed in the potatoes with four squashed cloves of garlic. I put that into a hot oven for a few whilst I took the fish out of the fridge and wiped them down with a paper towel. I took the tray out of the oven and placed the fish on top of the potatoes and then scattered the red pepper and two quartered tomatoes around the fish. I doused with mored olive oil and then seasoned with thyme from the garden, a finely chopped dried red chilli,a good pinch of ground cumin, salt and pepper. That all went back into the oven for half an hour. Before putting it on the table I squeezed over the juice of half a lemon.

The potatoes were soft and had just start to roast up at the edges. The fish peeled off the bone and they fed the three of us very happily. Afterwards I sliced up three of the mangoes and we ate them with our fingers, the juices running down our chins.

For music I had been in the attic and dragged out some old records, Mary Coughlan singing I want to be seduced,  Galleon Drunk and The Band.      

Sunday Hopkinson Lamb

It does not have to be sunny to have a barbeque. Sunday was grey and miserable with a continual threat of rain but I had bought a great butterflied leg of lamb from The International Store the previous day and it had been marinating in the fridge overnight and to shove it under the grill would not do it justice. Cooking over the raw heat of white charcoal would be the only way to get the right combination of dark almost caramalised exterior and pink middle.

It is only over the last month or so that I have bought meat from the small butchers at the back of The International Store and I have not been disappointed yet. They have whole chickens with their heads still on and before it was taken off the bone the leg of lamb was of a size that I am not sure it would fit in the oven. Next time I will get it on the bone and it can be roasted stuffed with garlic, anchovies and rosemary on a bed of cannellini beans and tomato sauce.

The marinade was from Simon Hopkinson – an onion, garlic, ginger, orange and lemon juice, cumin and coriander, turmeric, cayenne pepper, paprika, soy sauce and sesame oil all wizzed together into a fine sauce in the food processor, poured of the lamb and left overnight in the fridge.

On Sunday afternoon as grey clouds loomed up from the horizon the barbeque was piled high with coals and lit. After half an hour the coals were white and I spread them out so an even hot heat glowered at the rack that I placed above them. I laid the lamb down and put on the lid and left it for 20 minutes by which time one side was nicely blackened and I turned it over for another 20 minutes. Cooks perks – so I took a couple of slices to make sure all was going okay. I took the lamb off the heat and let it rest for 10 minutes or so whilst the table was laid and the rest of the late lunch completed.

We ate it with a yogurt sauce and roasted new potatoes and a plate of salad from the garden.

The music should have been Frank Sinatra in his Vegas years.